Image Title: Evocation of the Wild III
Curated by Stephen Salel
August 29–December 14, 2025
Honolulu Museum of Art - Gallery 3

Enduring Impressions features the work of six rising stars in the international mokuhanga community: Yoonmi Nam, professor of printmaking at the University of Kansas; April Vollmer, a New York-based printmaker and author of Japanese Woodblock Print Workshop: A Modern Guide to the Ancient Art of Mokuhanga (2015); Takenaka Kenji, a Kyoto-based printmaker and author of Woodblock Printing: Traditional Techniques and its Design (2021); and Hiroki, Setsuko, and Miho Morinoue, co-founders of Donkey Mill Art Center (est. 2001) in Hōlualoa, Hawai‘i. The second iteration of this exhibition will be on view at the Portland Japanese Garden from March 7 to June 22, 2026.

Support provided by
The Robert F. Lange Foundation

Date: May 6 - July 9, 2016
Opening Reception: Friday, May 6 from 6pm - 8pm

The Donkey Mill Art Center is proud to announce our Inaugural Biennial Exhibition, WOOD INK FIBER 2016, a juried exhibition open to all artists working in the media of woodblock printing in the state of Hawai’I and open to the public for viewing in our current galleries in Holualoa, Hawai’i, May 6-July 9, 2016.

The woodcut print is as old to these islands as the patterns that decorate pre-contact kapa cloth, and as new as patterns carved into plywood with a dremel tool. The use of wood, paper and pigment, informed by numerous traditions continues to be a vital artistic form. The primary activity of this exhibition will be to explore these various forms as they are currently practiced in the State of Hawai'i.

Participating Artists:
Meredith Yasui, Edd Ikeda, Myrna L Mild Spurrier, Eve Furchgott, Kathleen Abood, David Sokol, Faith Stone, Kathy Molina, Robert Corsair, Glenn Lawler, Miho Morinoue, Yoshimi The, Laura Smith, Margaret Barnaby, John McCaskill, Setsuko Watanabe Morinoue, Hiroki Morinoue, Taylor Johnson, Donna Louie, Julie Peterson, Lali Groth, Henry Bianchini